2026
12′
for orchestra
3.1.3.3. 4.3.3.1. 2perc. timp. strings
co-commissioned by Rainy Days Festival/Luxembourg Philharmonic Orchestra, WDR Symphony Orchestra Cologne, and BBC Radio 3
2026
40′
a spatial performance and sound installation for ten voices
SS.MzMz.C.T.T.Bar.B.B.
created in collaboration with Anri Sala
commissioned by Fundação de Serralves (Porto) and performed by EXAUDI
2026
13′
a spatial performance for chamber septet and audio
alto fl. bcl. pno. perc. vln. vla. vc. audio
commissioned by Wigmore Hall and premièred by Explore Ensemble
2026
60′/open duration
a performance-installation for string quartet
commissioned by The Black Lights and Grundy Art Gallery (Blackpool)
2025
16′
for flute/alto/bass flute, accordion, cello, and audio
commissioned by Trio Amons and Wien Modern
2025
11′
for soprano, guitar, objects, saxophone, and audio
commissioned by Patricia Auchterlonie & David Zucchi, premièred at Music We’d Like To Fear 2026
2025
37′
acousmatic album composed with Giuseppe Ielasi in Monza
released on Black Truffle (August 2025)
2024
55′
concert-installation for ensemble and audio
bfl. ob/cor. cl/bcl. alto/bari sax. perc. pno. 2vln. vla. 2vc. audio
commissioned by Ensemble Mosaik and Ernst von Siemens Musikstiftung
2024
14′
for eight female voices, keyboard, percussion and cello
commissioned by Melos Vocal Collective and Apartment House
2024
6′
for violin, piano, and audio
commissioned by SN Variations and Cafe Oto, written for Aisha Orazbayeva and Ben Smith
2024
13′
for bass clarinet, violin, cello, and audio
commissioned by Ensemble Mosaik
2024
15′
for orchestra
3.3.3.3. 4.3.3.1. 2perc. timp. strings
commissioned by BBC Radio 3 for BBC Scottish Symphony Orchestra and Tectonics Festival
premièred by Ilan Volkov
2023
48′
for piano quintet and audio
commissioned by Apartment House and Wigmore Hall
2023
10′
for chamber orchestra
2.2.2.2. 2.2.2.0. strings
commissioned by Royal Liverpool Philharmonic Orchestra
2023
6′
for chamber orchestra
2.2.2.2. 2.2.2.0. perc. pno. hp. strings
commissioned by Royal Liverpool Philharmonic Orchestra
2023
15′/open duration
for bass flute, bass clarinet, 2 violins, viola, 2 cellos, and a voices
commissioned by Musarc and Standard Issue
2023
6′
for orchestra
2022
15′
for large ensemble
1.1.1.1.1.1.1.1.1.0. 2perc. pno. 1.1.1.1.1.
commissioned by the London Sinfonietta
2022
36′
for retuned cello and audio
commissioned by Anton Lukoszevieze
2022
5′
for violin and audio
commissioned by SN Variations and Cafe Oto, written for Aisha Orazbayeva
2022
60′/open duration
a performance-installation for ensemble and string orchestra
alto fl. bcl. pno. vln. vla. vc. strings. audio
commissioned by Octandre Ensemble & Trinity Laban Conservatoire of Music & Dance
featuring Eve Stainton
2021
50′/open duration
for large ensemble in concert format and performance-installation
5 alto fl. 2bcl. 2tbn. pno. perc. 4 vla. audio
written for Octandre Ensemble, conducted by Jon Hargreaves, released by SN Variations (April 2026)
2021
12′
for solo violin and small ensemble
afl. bcl. pno. vln. vla. vc. audio
commissioned by Sarah Saviet, BBC Radio 3 and Riot Ensemble
2021
10′30″/open duration
for soprano and ensemble in concert format (II) and performance-installation
fl. cl. pno. perc. hp. gtr. sop. vln. vla. vc. audio
commissioned by Britten Sinfonia, FontanaMix Ensemble, and Wigmore Hall
2021
performance-installation for voices and handheld audio
commissioned by Kantos and PINK (Manchester)
2021
30′ loop/open duration
24-channel loudspeaker installation
commissioned by Venice Biennale Musica and Neue Vocalsolisten Stuttgart
2021
10′30″/open duration
for soprano and ensemble in concert format and performance-installation
fl. cl. pno. perc. hp. gtr. sop. vln. vla. vc. audio
commissioned by Britten Sinfonia, FontanaMix Ensemble, and Wigmore Hall
2020
12′
for orchestra
3.3.3.3. 4.3.3.1. timp. strings
premièred by Ulster Orchestra
2020
10′
for chamber orchestra
2.2.2.2. 2.2.0.0. timp. strings
2019
for 16 voices and handheld audio
4S 4A 4T 4B and audio
commissioned by Les Métaboles, Radio France and Royaumont Foundation with support from Camargo Foundation Residency Programme
2019
4 hours
for instruments, performers, objects, video, and audio
commissioned by the Holden Gallery (Manchester)
created in collaboration with Rowland Hill
2018
12′
a spatialised piece for six voices
commissioned by Abbaye du Royaumont Voix Nouvelles, written for EXAUDI
2017
open duration
performance-installation for voice, two violins, ensemble (open) and audio
commissioned by the Royal Northern Sinfonia, NMC Records and Sound And Music
2017
performance-installation
commissioned by Aberdeenshire Festival (London)
created in collaboration with Rowland Hill
2017
fl. cl. pno. perc. string quartet
commissioned by London Contemporary Music Festival, written for Apartment House
revised in 2020 (hitherto unperformed)
2016
for orchestra
3.3.3.3. 4.3.3.1. 2perc. pno. hp. strings
commissioned by the London Symphony Orchestra
premièred by Daniel Harding
2016
for large ensemble
afl. cor. bcl. bsn. 1.1.1.0. pno. hp. perc. 1.1.1.1.1.
commissioned by the Aldeburgh Festival and Britten Pears Young Artists Programme
2016
10′
for viola, prepared piano and audio
revised for viola, small ensemble and audio (2020, hitherto unperformed)
fl. cl. pno. vln. vla. vc.
2016
>1 hour
performance-installation for saxophone and at least eight female physical performers
created in collaboration with Rowland Hill
2016
12′
for solo violin and audio
commissioned by Sarah Saviet, BBC Radio 3 and Snape Maltings
2015
for alto saxophone
written for Harry Fausing Smith
2015
10′
for ensemble
1.1.1.1.1. 1.0.0.0. 1.1.1.1.1.
commissioned by the Manchester Camerata
premièred by Gabor Takács-Nagy
2014
8′30″
for alto flute, clarinet, violin, and cello
commissioned by Psappha
2014
for alto saxophone
written for Harry Fausing Smith
2013
8′
for string trio
commissioned by the British Museum and the RNCM